Purging the Worm

Sophie Jerram writes on her experience of getting a consultation and making a t-shirt with Daniel Webby in his Urban Dream Brokerage project Your Message Here

I had thought it was going to get very complicated, this finding my perfect slogan. 

In visiting Daniel Webby every day during the five days he was installed at 86 Victoria St I had seen people writhing, in sweats, twisted and perplexed. By observation, the process of talking with him seem to be equivalent to meeting with a monk or holy man who was going to purge out a symbolic worm. When he came to killing the worm, Daniel’s process was very rudimentary; naming it and printing it, coarsely in block print, on a t-shirt.

In actuality, my experience felt very clean and simple. By Friday afternoon, Daniel had got his technique honed to a fine art. I had decided my real bugbear was the amount of time and energy I was spending in an online, as opposed to a physical, offline world. I felt hypocritical talking to my kids about spending too much time on the computer when I would dive onscreen for social, logistical, income-earning and unassailable reasons. This was my issue, and Daniel began to talk about this and write words down on his whiteboard.

Very quickly we were talking about the illusion of leisure that the revolution in whiteware consumer goods (dishwashers, washing machines and ovens) had promised in the 1970s. The promise that once installed in our home, these labour-saving devices would enable people to become better educated, take part in community activities and increase the general pool of ‘leisure time’. To some extent this took place but it’s been accepted that time that was freed up has been used by many people to “work all day, to get you money to buy you things” (as The Beatles put it).

The promise of the digital world has been an equal bedazzling mirage, I held to Daniel. We were not choosing to spend time freed by efficient communication, in quality activity but wasting spare time on unnecessary Facebook posts, ‘tweeting as Rome burned’ as a friend once put it.

Daniel came straight to it. “You know about the hierarchy of needs?” “Maslow’s, I said? Of course!”

I’ve had a growing aversion to Maslow’s hierarchy ever since being taught it as gospel it in an economics class in 1984 – the start, of course of the West’s affair with neo-liberalism. My teenage grasp on the teaching of Maslow’s notion was thus: our basic animal needs for food and shelter had to be met before safety, love and esteem needs and finally self-actualisation occurred. Later in university-level marketing courses, Maslow’s hierarchy was used to infer that the path to enlightenment was through the passage of individual consumption and convention. Knowing some very poor and underfed friends closer to enlightenment than many fat cats with all their ego needs met has eroded my faith in this teaching.

Well, Daniel said, here it is then. And he drew an inverted pyramid where we could imagine our own categories of need. He labelled it Hierarchy of Needs.

Simple. Worm purged. Nice t-shirt. Thanks Daniel. You have a great gift.

What's on your mind today?

Your Message Here, Daniel Webby. 86-96 Victoria Street, 10am-4pm, 11 - 15 March. Property partner: Prime Property Group

In the second Urban Dream Brokerage public art project of 2013, Your Message Here, artist Daniel Webby invites you to sit down with him  in a currently vacant Wellington retail space for an "identifying statement" consultation. The project is open for you to visit at 86-96 Victoria Street (opposite Civic Square) 10am to 4pm Monday 11 to 15 March. Webby explores and workshops ideas put forward by visitors to distil a specific phrase, and the phrase is then hand stamped onto a t-shirt for them to take home. There is no cost to take part.

"While I do see this as a service being offered," Webby says, "participants are showing a great deal of generosity by sitting down to speak with me. The process is collaborative - I start with my own set of ideas, participants enter with theirs - what is produced is something where these ideas meet."

Webby is interested in engaging the public in the creative process.

"In this project the conversations are in themselves an outcome. The t-shirts are really just a way of documenting the encounter."

​The space for the project has been brokered in Wellington (it was first presented at Snake Pit Gallery Auckland in 2012)  by Urban Dream Brokerage. Urban Dream Brokerage, currently running as a six month pilot with support from Wellington City Council, brings together property managers and the creative industries in Wellington to lead creative development and urban revitalisation through the temporary use of vacant space by innovative projects. 

​The first Urban Dream Brokerage project in February and earlier this month saw three kinetic artworks by a leading emerging Wellington artist James R Ford play out in a small window in Wellington's entertainment district, Courtenay Place. All paired an item of play with a motorised household object as metaphors for our everyday existence and work-life balance: a pull-along toy on a treadmill, an inscribed cricket bat on a record player and a pair of dice in a foot spa

The Brokerage is rolling out a series of surprising and diverse public art projects in Wellington over 2013. In April a long grafittied wall in lower Tory Street will be the site for a posterwall project by Auckland artist Tessa Laird who will presents a series of hand-screenprinted posters in a range of sizes, styles, reflecting a diversity of cultures, ideas, and opinions.​

From a toy tortoise to a foot spa

Status Quo James R Ford

120 Courtenay Place                         

8.30am-5.30pm, 11th February - 3rd March 2013

Property partner: Frank Wong on behalf of Wong Wung Partnership

 

A pull-along toy on a treadmill, a cricket bat on a record player, and a pair of dice in a foot spa: absurd but poignant, three new kinetic artworks by leading Wellington emerging artist James R Ford play out in a small window in Wellington's entertainment district. It's the first public art project to be brokered in a vacant commercial space by Urban Dream Brokerage, a new Wellington organisation dedicated to the creative use of vacant commercial space with support from the Wellington City Council.

The space is a small hole in the wall on Courtenay Place, just down from the corner with Taranaki Street and smack in the middle of the bar and restaurant district. All three works, pair an item of play with a motorised household object as metaphors for our everyday existence and work-life balance and appear one per week over three weeks 11 February to 3 March, operating like good little workers between 8.30am and 5.30pm. We expect bemusement at first from regular passerbys and then hopefully some growing recognition that the work might have something to say about their daily grind.   

Status Quo features, in order, a slinky on a treadmill (Road to Nowhere, 2013), a painted cricket bat on a record player (Quandary Phase, 2013) and a pair of dice in a foot spa (Total Paradise, 2013).

James R Ford is a Wellington based artist whose varied practice includes drawing, assemblage, installation and film. Recent work has been of an existential nature, contemplating the workings of the universe and how we spend time, using everyday materials and absurd scenarios.

"Performance of one kind or another is central to much of Ford’s work," Lily Hcking of City galleyr has recently written, "whether the performing body is the artist’s own, that of a stand-in, or the audience themselves. In 2010 he staged an event where members of the public were invited to aid him in destroying his cursed Nissan Primera; another project bore the instructive title 33 things to do before you’re 10 (07-09) ; and an earlier work saw the invention of a new home based sport (www.housegymnastics.com).’ A video work of his recently appeared  at City Gallery Wellington. 

Ford (b. 1980, UK) studied at Goldsmiths College in London and has exhibited widely throughout New Zealand and overseas and his work has featured in a variety of national and international publications. Recent solo exhibitions include Snake Pis, Blue Oyster Gallery, Dunedin (2012); Tongue-Tied and Tired, {Suite} Gallery, Wellington (2012); Air of the Irrational, Christian Ferreira at the Wapping Project, London (2011); and Zero Expectations, Peloton Gallery, Sydney, Australia (2011). Ford recently curated a national touring exhibition of contemporary male artists based in NZ, entitled Never Mind the Pollocks, featuring creatives who employ intellect, keen observation and a lightness of touch in their work.

Our first media release

Wellington pioneers the free use of commercial space for public art

ImageofHelenKirlewSmithphoto.JPG

A new agency that promises to enliven Wellington City by utilising vacant space for no cost has opened in the capital. The Urban Dream Brokerage is a pilot project that connects creative ideas with empty city sites, including office and retail spaces.

With retail vacancies at a record high prior to Christmas 2012, the brokerage has been welcomed by property owners. By providing space free of charge, artists and other innovators are able to experiment with new ideas, while property owners can gain exposure for their buildings.

The Brokerage is staffed by co-ordinator Helen Kirlew Smith, an experienced arts manager. The pilot is funded by Wellington City Council’s Public Art Fund and has been established by Sophie Jerram and Mark Amery, who have gained experience working with building owners through their public art programme Letting Space.


The brokerage is part of a wider international movement to utilise spaces in cities that have fallen fallow to assist in urban renewal (see www.http://urbandreambrokerage.org.nz/blog/ for examples).

“Wellington City is one of the first places in this region to see the potential in the creative utilisation of empty spaces, and we predict it won’t be the last”, says Helen Kirlew Smith.  

The Urban Dream Brokerage itself operates from a vacant retail site at 19 Tory St. The building owner is happy to support the UDB project until the space is leased.

Since opening just before Christmas, the UDB has received 14 written proposals for a variety of creative uses, some of which will be brokered into vacant buildings or public land early this year.

Proposals for creative use of space are welcome at any time until April this year, at which time the continuation of the UDB will be assessed.  “We are hoping that the freedom to use these spaces will attract and sustain exciting and innovative projects in Wellington and lead to the further enrichment of the city as a whole,” says Kirlew-Smith.

The UDB has an advisory panel to vet and support the proposals that come, comprising property owners, artists and WCC officers. For more information and criteria see

www.urbandreambrokerage.org.nz

What UBD offers property owners: the Newcastle example

One of the most outstanding success stories in brokering vacant space is the role brokers Renew Newcastle have made to the rejuventation of this northern New South Wales town. While there are literally hundreds of vacant space brokers around the world Renew Newcastle is a model that has proven highly effective spawning many other brokers around Australia, including Renew Australia. Here's a video clip that introduces their work from a property perspective.